Hana, man, mona, mike; Barcelona, bona, strike; Hare, ware, frown, vanac; Harrico, warico, we wo, wac. I fell backwards from my fragile chair, not unusual for me, I fix things for a living so at home I like the freedom of disordered and broken things, I find comfort in it. I was never the goose on the playground, always the duck... like the kind of duck you see in the window of a Chinese deli in San Francisco hanging amongst brothers, it's not sad, each one is waiting to be freed from the hook, ready to become the antagonistic goose. As I lay there on my back looking up at the corrugated metallic horizon of my home It occurs to me... a tiger won't holler and a duck is no match for a goose. My story isn't sad, it's not even a story so much as a thought or the feeling you have when you play with your sibling jumping from chair to couch to chair, feet never touching the ground. You know all along that the lava makes it fun, you know that you can open the heat register and free your mini-figs from lego jail, you know that paper and scissor will never be a match for rock. I put the ashes in my pockets instead of the posies, my chair isn't broken because we all fall down. by Whitney Menzel video & choreography by Kristen Merritt
The Secret Life of Trains Janelle didn’t want to look down. As she half-smiled weakly at the faces peering up at her in shocked silence, she wondered why she always had her face on. It seemed completely unlikely under the circumstances that she would be fully made up, but she always was: brows filled in, undereye shadows scrupulously concealed, lips her usual shade of “Juicy Revolution Red.” The moment passed and the silence gave way to whispers and giggles. Soon it would be outright laughter among her classmates, resounding off the chalkboard that framed her torso. Another naked-in-front-of-the-classroom dream, Janelle thought. How original. She glanced down at the desk; this time, the report was on the recent discovery of ancient Etruscan pottery shards and their implications for modern reconstructions of the civilization’s demise. She sighed and gripped the report to her chest as she dashed for the door, assaulted by the tide of derisive hoots. ::::::::::::::::: Waking up was a relief when it happened. Janelle dimly remembered the naked dream, which had gone on to involve a horse and a dog and also, confusingly, chocolate mousse and someone named Kara. That name felt familiar. She heard it often, lately, echoing in her head. Was it outside her head, though? Something felt slippery about the name. But there was no one here called Kara. No one named Kara was on this train. There were plenty of things to wonder about the train: where it was going, who had chosen the terrible yellow color of the curtains, why the tables in the dining car were still Formica as if it hadn’t been updated since the 1970s. Janelle was sure that it wasn’t the 1970s, but there weren’t any calendars in the train to check. Perhaps the conductor had a calendar, but he was also a mystery. Janelle corrected herself: perhaps he or she had a calendar. She wondered the most about the scenery outside the windows: it faded a little with the days, and if you moved to a new car and a new window, it was different. But if you looked too closely out a window, you could see the tree-ish mountains not-moving very stolidly. They were not-moving all day, every day. They looked as if they were made of brushstrokes, or dots of ink from a stamp, but that wasn’t right. Janelle knew that scenery moved by, when one stood at the window of the train. And that landscape wasn’t made of paint. It couldn’t be right that they were not-moving. She unsnapped the clip holding the blind up and let it roll to the base of the window so the scenery could move or not-move on its own, out of sight. The main thing Janelle could do was to walk up or down the train and seek out the others. They weren’t always there, but she could often find Cleo or Pony or Eric hanging out in another car, passing the time. Sometimes they were having tea, or at least, sometimes they had a tea set. She got ready to start the day of walking. Walking and seeing the others was, so far, a lot more interesting than wondering about the train. They didn’t know any more than she did, but at least they moved more than the scenery outside the windows. And anyway, if she made it far enough down the train, she had other window scenes to look at, even if they were not-moving. No one else seemed worried about the scenery, but Janelle couldn’t quite forget about it. ::::::::::::::: It is strange to find yourself in a location other than the place where you fell asleep. But Janelle woke up in a different car, slumped over one of those Formica dining tables. She shook herself slightly, wondering if she’d had the naked dream again. What would a psychologist say?, she wondered. Always naked in front of everyone, and that girl named Kara again. Maybe I have a problem. There wasn’t a psychologist on the train. Janelle wasn’t sure why she knew about psychologists, but like the tea set and the dim sense of how scenery should behave, the knowledge seemed to have been a part of her forever. Yesterday, the others hadn’t been available. It was hard to say where they went when they weren’t in the other cars. Janelle wondered if sometimes, she wasn’t in any of the cars either. This was one of her least favorite things to wonder about; it made her mouth dry and interfered with her breathing. Wherever “there” was, outside the train, it seemed like a long way off. And how would she get there? Pony might know, but Pony was the hardest to talk to. Janelle wasn’t sure she was ready to wake up, after all. She settled her head back on the Formica; even the naked dream, which probably meant she was disturbed, was better than wondering what was outside the train or who was running it. She drifted quickly into the twilight of her sleep, where she realized once again: The whole class is staring at me. Why would they be staring? The giggles started to drift across the classroom. Not again. She tipped her head slowly to check. No shirt. She sighed. ::::::::::::::::: “Kara! It’s dessert! I’m not calling you again!” She fumbled with the doll’s clothes, trying to pull them off quickly so she could pull the pretty cherry-patterned dress on before she had to go downstairs. “Kara! NOW! I’m going to give your mousse to your sister!” “I’m comiiiiiiiiiiing!” she yelled back. She gave up on dressing the doll, propping her instead against the little slate chalkboard on her floor. “Sorry, Janelle,” Kara whispered. “I’ll be back soon. I’ll get you dressed up so you can look nice.” She scampered towards the door, glancing back at the toy train where her My Little Pony was standing on a tiny built-in Formica table while another doll was having a tea party with a half-cat, half-woman action figure she called Cleo. Kara smiled and shut the bedroom door behind her. by Tyler K. Cassidy-Heacock multimedia piece including necklace that was given to Tyler during the event in June
by Jennifer Green Fais Hi, Aaron. I’m sitting in our tent right now, camped outside of Devil’s Backbone Brewery in Virginia. They let hikers set up in the woods near their...well, I guess it’s a campus really. They have this huge brewpub and an outdoor stage with outdoor bars, small stone bonfires, and cornhole and horseshoe sets. There’s a “Royal Flush” pinball machine like the one you used to play at Mountain Fire Pizza, before they got rid of it.. After the past few days of hiking it was such a huge relief to hitchhike down here. There’s no shower, but I did give myself a towel bath in one of their outdoor bathrooms. The beer was great and I’ve never eaten fries so fast in my life. Some of my trail friends are camped around me. We wandered back here with our headlamps, fairly drunk (or at least tipsy), and crawled into our tents. One of them, See-More, just sleeps under his rain fly--he doesn’t even use the tent itself. I couldn’t do that. The thought of ants and frogs and stuff crawling on me at night gives me the creeps. I was long overdue in writing this. To tell you the truth, I have been so busy hiking North that I’ve rarely thought about you. That’s one of two things I hoped might happen with this trip; I would either obsess over you, or I would “forget” you. Of course I can’t forget you. It’s been over a year. There was a long time where I cried myself to sleep every night in our apartment. I don’t really know when that stopped. Months. Judy and Amos finally talked me into seeing a therapist. I know you aren’t haunting me, but I have been haunting myself. I felt like a ghost in our apartment. Around our friends. Around town. I clinged onto every scrap of you that remained. I miss your dark hair and how you would smile more with your eyes than your mouth. I always wanted to know what you were thinking--what was going on behind that hint of a smirk. I did leave my customer service job. That’s good, right? You hated how much I hated that job. I’ve been making ends meet by substitute teaching, dog walking/sitting, and a lot of freelance work. None of it pays particularly well by itself, but together it’s not a bad living and I rarely have time to be bored. What am I saying; “have?” Had. I guess I got ahead of myself. I’m on the Appalachian Trail right now! It just felt like the right time to do it, you know? We always wanted to go and I’m not chained down to my work, so. I thanked the landlord and broke the lease. Used our, well, mostly my at this point, savings to buy gear. Did the research. Talked to Cara about it. Your sister has been so supportive in general. She gave me her maps, loaned me her stove, and some other things that didn’t get trashed during her hike. I haven’t really used the maps because everybody out here uses this phone app called Guthook’s, but I still carry them anyway. I like to pretend they’re a protective totem or juju or something. Every single day out here is beautiful. Hard, but beautiful. Each step feels like a small triumph, in a way, and it seems like the most successful hikers (or, at least, the ones most likely to complete the trail) have the mantra that; “There’s one way out of this, and that’s to finish. One foot in front of the other, keep walking north.” I’ve relied on that, and them, a lot. We all have trail names at this point, if we’re going to. There’s See-More, of course, which is a play on his name (Seymore) and the fact that he frequently struts through camp in his underwear. I have become pretty close friends with Way. She carries a copy of the Tao Te Ching and talks about this trail being her Way, and “infinite mysteries this” and “unknowing that.” You would have gotten a kick out of her, if her woo-woo talk didn’t annoy you too much. Camped across from me are Ted and Young Ted. They’re brothers. The older one’s name is Ted, and I don’t actually know Young Ted’s name but somebody called him that and it stuck. I cheated and gave myself a trail name. It’s not really a big deal if you give yourself one, but I didn’t like a lot of the names people were suggesting for me. I thought a lot about it through the Smoky Mountains and decided it should be Hummingbird. I hum, you liked when they’d migrate through our backyard, I don’t know. It works. And there hasn’t been another Hummingbird this year yet, so people know it’s me (if they know me). My gear is too drab to really stand out. You know at least half the guys hiking out here wear girl’s shorts in the most ridiculous colors? I’m talking hot pink booty shorts. Nobody really cares. It’s obvious who the hikers are, and when I go into town it’s impossible to blend in even after a shower and stowing my pack somewhere. I had been so focused on my own physical pain and struggle as I hiked through the cold southern states that I didn’t think about much. I either tried to push the thoughts out, or think about my next week of hiking and plan it out in my head. I’ve been snowed on three times, thought for certain I would freeze to death one night, and though I haven’t had any bear encounters yet, I have nearly stepped on two huge rattlesnakes since entering Virginia. The weather is hot now, and the trail is full of flowers and shady green leaves. The past couple days were really intense though. I came down off a mountain into a two-story shelter next to a waterfall. Spent the night there with Way and a few other fast hikers we had caught up with. Then, I had the long trek up The Priest, a mountain I’d been hearing about for weeks. The first 4k footer for a long time! When I got near the summit there was a shelter (also called The Priest shelter) where hikers confessed their “sins” to the mountain in the trail log. Some were funny, some were sarcastic, some were heartfelt and sad. A lot of confessions were about not burying poop properly or hanging bear bags right. I picked up the pen to write something funny, but I just...started writing. I wrote an entire page of all my regrets, all my anger that you left me alone. My frustration of being unable to move on, and my disinterest in seeing other people while our friends would hint at; “how long it’s been,” in their loving but tone-deaf way. I wrote about how I just want you, and our future, back; and how I don’t want a new future without you. It came out very real, and very sudden. I lost myself in my writing. Way hiked into the site and set her backpack down next to me on the picnic table. I realized I was crying and I tried to hide my face so she wouldn’t see; regardless, she could definitely see that my hand was trembling over the page. When I had finished writing, I moved to rip the page out. She placed her hand down on the log so I couldn’t lift it. “I had no idea,” she said. She had been reading over my shoulder. I hadn’t told anybody on the trail about you. I’d avoided talking too much about myself anyway, but I didn’t want to invite your ghost to follow me. You left for work one morning and there was a snowstorm and you never made it home. I was alone. “It’s nothing,” I told Way. She nodded. “Everything is Nothing,” she replied. Her matter-of-fact nature combined with the absurdity of everything she says is probably my favorite thing about her. She gently took the shelter log and pen from me to write her own confession. I sat there and ate a flavorless granola bar. The oats rolled around on my tongue and felt like lumps going down my throat. The more I thought about Nothing, the more hollow I felt inside. I wanted to shred that page up; not to prevent others from reading it, but to somehow get rid of all of those feelings that were tormenting me. Way’s voice interrupted my thoughts. “Would you hike to Devil’s Backbone Brewery with me?” “You know I hike slower than you.” “That’s fine. The beer will wait for us and I’d like the company.” So here we are. The hike down here was silent until we got to the road and hitched in with a friendly, local trail maintainer. We met up with the Teds and a few other members of our extended trail families, drank our beer, and ate fried foods and fresh salads. Everybody acted the same toward me because, of course, only Way knew now--but I felt different. That entry in the hiker log had been the first time I had opened up about my feelings. I hadn’t even done that with my therapist, really. I felt quiet and exhausted. Laying down in this tent--our tent--and writing this by headlamp has been the catharsis I’ve needed since you died. I’ve thought a lot about you, and why I’m hiking this trail, and what will come next for me. I think a part of you is all over this trail, but in that, “we are all made of starstuff,” way. I don’t think there’s life after death. Your brain stopped working, and “you” are gone, and you couldn’t possibly care about me or if I date again or move across the country or anything like that. If I go back to Gorham, I’ll just be haunting it as a surrogate for you. Maybe I can crash with my cousin out in Oregon for a while. I need a new start, something to let me get over this monumental sadness that I carry everywhere. I know, intellectually, it’s not what you would want for me. We had a great life together but it’s gone. Now, I hike every day, sometimes in excess of twenty miles, and eat noodles mixed with instant potatoes, and dig holes to poop in the woods. I hike like it’s my job, but I hike because it’s my life, and that’s enough for now. I think the only way forward, for me, is one footstep at a time. Ever northward. Katahdin awaits! After that, I’ll see what comes. It felt good to get this all out. Maybe it’s the exhaustion or the booze or something else. Maybe I’m just ready to finally start talking about this. I feel like I should burn this letter, somehow, in some special place. Maybe when I hike through NH. I’ll stop by our old apartment, swing by the fire pit in the backyard, and light this on fire to send it to you. Everything is Nothing. I’ll say one last goodbye to our apartment, our town, and our life. Then, I’ll keep hiking. I loved you, I still love you, and I will always love you. But you knew that. Happy trails, Chris (“Hummingbird”) by Joe Noel installation, trail journal, and trail snacks at the event by Jenny Wittmaack
The summer I got my driver's license, I was going through my actively-embracing-white-trashiness phase. At the time, I was styling my hair every day. sunbathing at the gravel pit a mile from my house. working 3 part-time jobs. disregarding my curfew. wearing obnoxiously bright lipstick. sporting jelly shoes, a fuck-ton a bracelets, overly distressed light wash jeans, barely-there tops. Sometimes just a swimsuit. While unintentional, that's how it came to be that I appear naked in my driver's license photo. The pale pink edge of my tube top, barely visible, allowed the exposure of bony shoulders care-free cleavage Since then, I've been through nearly every cycle of emotion toward my driver's license photo ironic pride actual pride light embarrassment deep shame dread joviality aloofness denial nostalgia longing I've seen every type of reaction to my license photo, from friends, family, bartenders, judges, law enforcers and store clerks. Glances: furtive, cautious, incredulous, creepy, mirthful, blank Whistles: sexual, surprise Gestures: Hand-over-mouth, raised eyebrows, held breath, blushing, laughter, choked laughter, adjusting glasses. Verbal responses: Well now. I see, I see. This is you? New licenses have been printed, with the exact same photograph because of addition of organ donor status. name-change due to marriage. replacement for pick-pocket incident in Madrid. state-wide changes to license design. name-change by way of divorce. Today, 15 years have passed since the license was issued. I am waiting in line at the DMV. applying obnoxiously bright lipstick in the reflection of a laminated "NO SMOKING" sign. sporting jelly shoes, overly distressed light wash jeans, and a pale pink tube top. ready for my closeup. By Willa Rose Vogel Images by Arlie Sommer
She didn't know what she would find when she opened the box. Her memories of him, the old sage who passed along all of his knowledge, never seemed to own anything that would be this grand, this heavy, this full of potential and yet rife with memories of the overwhelming nature of his passing. He was not young, but also was not ready to leave this world; so many missed opportunities, stories, lessons on love and memories of her ancestors long gone. Her grandfather left her one simple thing in his will: “the contents of storage unit 55 at Al’s Cheap-Ass Storage, 1422 Rt 66, Chicago Illinois.” There she was, standing in front of the unit, which appeared to her a bit smaller than she imagined, opened to the setting sun with dust sparkling in the early spring light, and full of junk. Boxes of newspapers from 1950, Coke Cans held onto in the hope that one day they would be “antiques,” broken clocks that didn't appear to have any working components, even a few busted laptops. Then she noticed it. Sitting in the back corner, covered with a tattered sheet and fastened with the most glamorous bronze-plated locks that she had ever seen. It was huge, almost up to her chin, and appeared to have been cared for meticulously throughout his whole life. Next to it laid a note with her name written in calligraphed script. The note described his life as a travelling artist. He had a knack for voices and an incredible stage presence that once made Judy Garland spit her martini across the table. He explained his deep love for theatre and his desire to create sets out of his favorite family scenes, how he would mold the marionettes after the people he held most dear. As she opened the oversized box, she saw something magnificent. Inside was an exact replica of her favorite place on earth. His bar, where she had gone after school each day to wait for her dad to pick her up; where she had learned to love listening to his stories and those of his customers; where one time she had way too many Shirley Temples and threw up next to the regulars smoking cigarettes outside. The recreation was perfect, down to the exact detail. He had restored the drapes, a disgusting red and black that looked like they belonged as a coat on the little labridoodles from Mrs. Jensen next door. He had even perfected the first pinball game in the corner that she adored. It was spectacular. As she opened the box further, out fell two marionettes: one of an old man with grey hair and knowing eyes holding a cocktail shaker, and one of an wide-eyed young girl with blond hair and full smile. She was not sure what she would do with this miniature world full of memories and laughs, a place that was both the place where she both grew into womanhood and had her first beer and the place where she realized the true love a grandfather has for his granddaughter. She began to smile her dry smile, full of melancholy nostalgia. by Henry Powell Then, at that moment, the “Book of Dreams”, a book she found solace and comfort in, gently slipped from her lap to the floor.
She spent much of her time reading that book, since recognizing, in her teens, she had 'the gift', the gift of prescience. Before that revelation, she was regarded as a 'troubled child', who 'knew too much'. Hearing adults whispering about her caused her to retreat, to isolate herself from social contact. Some years went by. Her grandmother, who also had the 'gift', died. It was a natural course of events that she had subsequently come to live with her grandfather. 'Big Al', as he was known, quietly came into the shaded parlor. Picking up the book, he placed it on the stand next to her, along with a manila envelope-the number '55' scrawled on the front. locks & epilogue by Noel Sylvester |
66 OURS - Collaborative Writing ProjectStarting with Phase 1, writers had 66 days to base their writing on 1 anonymous person & 1 vignette, dutifully and judiciously assigned to each writer by Amelia. Photos given to the writersEach writer was given a combination of 1 person + 1 vignette from the following:
Person 1
Person 2
Person 3
Vignette 1
Vignette 2
Vignette 3
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